Tag Archive for 'media'

He can’t circle his programs in red pen [on the EPG]

Picture by LexnGer CC license retrieved on Flickr on 14-2-2010

My Dad stopped getting his major city daily when they shitcanned the TV guide. He’s 87. I tried to explain the guide on TV. But he can’t circle his programs in red pen on it so it’s useless to him.

This comment from TroisFilles is one of the nicest from a Gawker piece on the continuous decline in magazine sales in the United States (found via Vanz feed). I think it’s remarkable because this 87 gentleman has a very good point in being dissastified with the EPG — even if I suspect that most of us would be tempted to delegate the issue to specialists of “technology for the elderly”…  Marking preferred programs with a red circle is certainly practical; I bet that whatever bookmarking feature is offered on an EPG, it can’t match the traditional pen ease of use and immediacy. But having an EPG where people can mark programs making e.g. a circle with their finger does not look like science fiction, right? Repeat with me: TV, EPG and STB needs massive doses of interaction design. (PS: this should be of concern to magazine publishers as well, unless they have already surrendered to the destiny of being reduced to pure content providers).

Audiobooks questions

Amazon.com Books Bestsellers: The most popular items in Audiobooks. Updated hourly

How many audiobooks are commercially available? What is the percentage of the total book counting? What about the difference between sales of single titles and sales tied to subscriptions? I haven’t done any research on the subject, so this might sound naif — all the answers might be somewhere already (please point me in the right direction if you have a clue <grin>). The fact is that today I tried to look for something interesting to buy, and the result has been quite disappointing. None (or almost none) of the titles in my Amazon wish lists has an audio version. The most popular items list (see above) is full of self-help books, with a good bunch on diet, cutting fat in a week etc., a sizeable group on marriage, divorce etc., then a few fiction best-sellers… Am I just not aware of the all thing or what?

“Television is really broken”

Via Putting People First, I found out the Ethan Zuckerman’s blog report of a speech given by Herkko Hietanen (his Copyfraud blog here) at the Berkman Center for Internet and Society. Isn’t the piece below a remarkable synthesis? ;)

The medium isn’t rising to its full potential, isn’t providing consumers with programs when and where they want them. To set the scheduled for what you want to watch, you need to be at your television. And there are frustrating geographic restrictions on programming [...]  it lacks interactivity with broadcasters and other viewers. It forces consumers to sit through irrelavent commercials.

Hietanen is an affiliate of HIIT-Helsinki Institute of Information Technology, with which I had the good luck to cooperate at MobiLife times. His talk, as discussed by Zuckerman, expands on the big theme of so-called “social television”, and the limits of past experiments on the field, e.g. because social interactions might be placed not squarely on the TV screen while the show goes on, but before or after it. This is very much one of the core assumptions of the research ideas sketched in Vertigo.

Vertigo on paper

One of the most interesting projects on which I have been working over the last few months is finally on paper — at least part of it (download available from the publications list). For once, there is even a better name than the usual acronym: it is “Vertigo”, from the Hitchcock 1958 movie. But the proper meaning of “the sensation of spinning or having one’s surroundings spin about them” (Wikipedia) is not irrelevant: the only difference is that the surroundings investigated by the project are the media surroundings, or a mix of media and “real world” surroundings. The main goal here is making possible a more enjoyable and interactive exploration of movies, videos, music (linear media in general) by shaping, following and sharing “media trails” or traces. As reported in the paper, this is an idea well rooted in the early history of hypertext. The work has been done in very close cooperation with Jukka Huhtamaki, researcher at the Hypermedia Lab of Tampere University of Technology, and Renata Guarneri, a former project colleague in MobiLife (with Siemens, one of the main industrial partners in the consortium led by Nokia) now Principal Technologist at CREATE-NET (I am consulting them on different initiatives), plus several people at various research organizations in Europe.Renata has just presented the paper at Digibiz 2009,

I am very grateful to Jukka, Renata, CREATE-NET and all the others for the opportunity to delve once again in the intriguing subject of bringing interactivity to screen based media and music, to the living room context in general.

Vertigo movie poster (from Wikipedia)

Vertigo movie poster (from Wikipedia)

It is now about ten years since the first time I tried some serious effort on the topic by contributing to an essay on TV and interactivity (in a book edited by Laura Tettamanzi and published with the sponsorship of Italian public broadcaster RAI). Ten years is a long span of time: we have seen the dotcom boom and bust, the social media explosion, the 3G come of age etc. Yet TV and movie watching haven’t changed that much — compared to music say. It is no chance that this work started with very inspiring discussions about Last.fm

Mac elitism? Technology, luxury etc.

A leveling of class distinctions in Apple products is going to sting people who valued the affectation of elitism that came with using Apple’s top-of-the-line products.

via Gizmodo – When Pro Doesn’t Mean Pro Anymore – MacBook

This review from WWDC 2009 raised my curiosity. The point of discussion is the leveling of prices in the “Pro” range of Macs, especially with the new 13-inch at 1199 dollars. The argument goes like this: showing off a top-of-the-line Pro used to be a clear sign of distinction; pretty much the same with the old Macbook black when compared to the cheaper whites (btw: I am now living with my second white…).

Uploaded on July 27, 2006 by galaygobi on Flickr CC license

Uploaded on July 27, 2006 by galaygobi on Flickr CC license

I have always been intrigued by the idea of elitism and technology, especially mass market technology as it is the case with these machines. The contrast is quite startling: you have the epitome of machine democratization, the personal computer (well, Macs), surged as a symbol of distinction.

Of course it might be argued that something similar happens for so many products and services. The top-of-the-line as sign of distinction. Yes. But I am more interested in the specific case now than the general phenomena.

I guess that there is big value to ripe for a company capable to bring distinction to its products. They could command higher prices, which should bring more margins. This has been historically difficult with PCs, where shrinking margins are the rule I think. I still remember when Dell took over that company specialized in computers for gaming, not only very powerful but also stylish, with fancy cases if I am not wrong etc. (no details from heart, I should check it out again).

I think that the issue might be an interesting subject of research. Scientific study but also market research. Maybe it is already very covered; again, to be checked.

This is also somewhat related to some earlier thoughts on technology and luxury, media and luxury.

In 2002 I scribbled down a few lines about these broader and distinct concepts as I was pondering the idea of “media recluse”, coined in a book about future trends (I can’t remember the title now; and the notes are in Italian, or almost all in Italian… so I will annoy me transalting myself… how bad): “digital divide inteded as the value of media and information… junk media for the poor and premium for the rich, The categories of luxury, value and misery should be applied to information and knowledge, if we hold true that we live in an economy dominated by knowledge and information. Information is equal for all but not everyone has the same access to information… the old ryhme”.

“Media recluse” were described as people that in the future would recede from information and keep themselves shielded from the media noise or the media pollution. A facet of elitism…

Now it come to my mind a paper about luxury in which there is an articulated discussion on technology and luxury; how technology makes luxury “affordable” and move products down the chain. But how down is down? What is the elitist threshold? It might correspond to a certain model of profitability — or digital divide seen from another perspective.

CREATE-NET workshop on forthcoming EU research calls

Create-Net workshop at Bergamo

Last week in Bergamo I had the opportunity to attend the two-days 4th technical and funding workshop promoted by CREATE-NET, a dynamic international research institute in Trento;  “the focus of CREATE-NET’s research is on the Internet of the Future, both in terms of infrastructure and service”. I was invited there because of my previous work in FP6 projects (MobiLife and SPICE, both with Neos), links with the industry (I actually extended the invitation to a major Italian publisher) and established contacts with people working there (this time I have been also introduced to CREATE-NET president, professor Imrich Chlamtac).

The workshop was very well organized and to me it has been quite satisfying to join an event like this in Italy for once (instead of Bruxelles or some capital up in the Nordic region — I love the Belgian beer and the Nordic light, but I can not rush there with my motorbike in 45 minutes ;) (joking… but the relative rarity of these settings in Italy is an issue; I will not discuss it here anyhow).

Talking about content, I enjoyed very much the informal exchanges with a few other attendants interested in the “networked media and 3D Internet” research area of the forthcoming 2009 calls (including friends from some of my preferred examples of excellence in European ICT research like HIIT and Fraunhofer FOKUS). We started discussing after a very nice visualization example of Last.fm listenings made with Vizter (created by super-brilliants Jeffrey Heer and Danah Boyd) from a Tampere Technical University Hypermedia Lab researcher; having just seen an overview of the research agenda brought forward by NEM, a prominent European and global forum on future media and network technologies, we had an initial but intense chat on possible research proposals at the intersection of media management and consumption, social network visualization and other related stuff.

Buona matita (about social design)

Buona Matita - Corriere Style snip

“Buona matita social club” (“buona matita” translates as “good pencil”) is one of the few headlines that caught my attention on a magazine that I was lazily browsing last week while coming back from Isola d’Elba on the ferry (yep, vacatiors are over). The article, signed by MOMA architecture and design curator Paola Antonelli (let me note that she is an Italian), is about the emergence of social design and the idea that there are *not* only “pretty chairs and limited edition lamps” to care about in the field; UK designer Hilary Cottam’s work is reported as an example. Of course this might sound obvious to many specialists but I think it is still very new for the general public.

It could appear ironic, or notable at least, that the story appeared on a magazine entitled “Style” and that it is all about lifestyle and fashion in the most conventional meaning of expensive and sophisticated products, or, well, this is what its several advertisers sell (the magazine is packaged on Friday with the big Italian daily Corriere della Sera and it is mainly addressed to an adult, male and affluent readership; you pay an extra 50 eurocents for it).

Perhaps this is one of the many small signs of the increasing awareness of the themes so much discussed at Changing the Change in Torino, where I did have the impression of a very important but still quite relatively young and specialistic environment (despite the fact that some of the key principle and perspectives have already a quite long history in the design thinking tradition – Paola Antonelli quotes e.g. Papanek and his “Design for the real world”, published back in 1971).